這個《出爐2009》藝術系畢業生聯展由幾間院校（香港中文大學藝術系，香港浸會大學視覺藝術院，香港藝術學院學士課程）的畢業生作品聯展，拍了些相片，看看：
“New Trend 2009″ is the selected fresh graduate artworks from Department of Fine Arts of CUHK, Academy of Visual Arts of HKBU and Hong Kong Art School. I just took some photos, have a look :
這個是和角色，身份有關的作品。
It is about the roles we played in the daily life.
用傳統的技巧，配合現代的題材，永遠有趣。
To apply modern theme with traditional techniques, attractive!
這個曾敏富的作品＂回憶重塑＂很不錯，是這次展覽中最好的作品，用傳統的宣紙來再造一次香港城市舊樓中常見的物件，雙重的情感投射加強了整體效果。藝術只有兩樣東西：主題情感及表達方法，一個深刻的情感加上好的表達方式，就已經是好作品了，不需想得太多，越簡單直接越好。
I recognized Matthew Tsang Man-Fu’s “Memory Rebuild” the best artwork in this show. He uses the Chinese traditional Rice paper to make the windows, ladder and doors we seen in the city old daily life. Our feeling on rice paper really match the 50s, 60s urban objects.
這個在找出日常常在的地方，也是紀錄式的表達手法。
It tries to find out our “appearance” in the flat.
關麗珊的＂存在 . 不存在 II＂，用舊碗碟合成兵馬俑的頭盔。
Clare Kwan Lai-Shan’s “Existence of Non-Existence II”, she built the Terracotta Warriors’s armor with broken old dish and bowl.
有幾幅鄺鎮禧的＂Book＂，在轉角位及入口位置分佈，十分巧妙，鄺鎮禧對視覺有很深的理解。
Kong Chun-Hei’s “Book”, he really understands what the visual is.
黃繼宇（Joseph Wong Kai-Yu）的＂畢業時刻＂，將三年讀書的筆記燒掉一半，上面是筆記的海浪，下面是灰燼，天一半地一半像書架的展出方式很是有趣。
Joseph Wong Kai-Yu’s “Graduation Moment”, he burnt half of his lecture notes in the three year studying time, really impressive.
我的攝影技巧不太好，未能反映作品的感覺，見諒。
Sorry for the bad photo shooting techiques, probably could not reflect the true feeling of the original artworks.
